THE POWER OF MAPS
"We create the world in which
we live by the tools we use
to interpret it"-- Richard Wright
via Denis Wood
The secret is always west-- converging rails,
a featureless plain, stance held to the vanishing
point.
We witness the annihilation of distance.
It's carefully posed on a trestle near Fort
Harker,
216 miles west of the Missouri, nine empty
flatcars
with three men evenly spaced, plus one in
the foreground
for scale. Trees are cut for sleepers
and telegraph poles,
the valley all grass and sand. The river
is not named.
The place is vaguely lunar, a battlefield
just cleared--
somewhere we can look up casualty figures.
The bodies, good Indians, disappear in the
grass
Whitman had begun to tell us about.
Empty flatcars
wait to be filled. Journalists mill
around, speculators
busily engaged in making this place more
real.
Kansas isn't Kansas yet. We are nowhere,
except in the minds of those men, the resting
engine,
lean geometry of the bridge.
In this absence my frayed east ends, --
100th Meridian the hinge, the distance.
The picture, what’s not here takes its place.
I edit the map, a four color compass rose:
black ink hammer, red to change or delete,
green for roads or parks, each cardinal point,
each stroke closes a door, draws a wall,
a sea.
Grant me the courage to meet myself in the
wake
of the massacre, the whirlwind, Sand Creek:
buffalo gone, everything suddenly out of
scale,
mountains, thunderclouds, tornadoes, flash
floods,
the emptiness we create, a Euclidean graph
which flattens and divides. Grant me space
which shows each face equally, without the
skeletal
trestle, the tunnel of perspective,
the barrel of a gun.
Let me draw my maps in sand.
Copyright 2000, Michael McDonough
Michael McDonough, a graduate of Bard College, is a researcher for
Arrow Map, Inc. He lives in Mansfield, MA, and has performed his
work at several venues in the Boston area.
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